Nock also helps point us in the right direction — or least away from the wrong direction — by reminding us that just as the state has no money of its own, nor has it any power of its own, it only has the power our delusions give it. This essential insight redirects us from railing against the Olympian storm clouds of lofty political power, and reminds us that the state is a mere effect of the beliefs of those around us, thus focusing our efforts horizontally — which is to say productively — rather than vertically. Railing against politics is like throwing the helium balloons of our hopes into a hurricane.
The state is designed for class exploitation and predation, and so cannot be reformed. This would be like trying to turn outright murder into self-defense after the fact.
If we cannot reform the state, can we enlighten our fellow citizens? Well, in Nock’s day — as in our own — people so strenuously resist reason, thought, and evidence that the true source of the state’s power — mere human delusion — can no more be overturned than the state itself. Exploitation rests on power, power rests on self-deception, and both are as absolute as gravity.
As the old saying goes, we have met the enemy, and he is us.
"A Arte da Fuga" ("Die Kunst der Fuge", BWV 1080) é uma obra-prima de Johann Sebastian Bach:
um único tema musical persegue-se, a si mesmo e as múltiplas variações, num diálogo musical intenso desenvolvido a diversas vozes, rico de simetrias, inversões, ritmos e tempos diferentes.
Fugas para aartedafuga@gmail.com
Sexta-feira, Outubro 12, 2012
Our Enemy the State! (2)
No seguimento de Our Enemy the State!, Who or What Is the Enemy?:
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